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No. Price 

130. $ 1,500. 
ol. 150. 
thee 900. 
abst. 500. 
134, 200. 
355 LUGS 


SALE NUMBER 1676 
ON FREE PUBLIC EXHIBITION FROM WEDNESDAY, NOVEMBER FIRST 


FIGHTY-_THREE PAINTINGS 


FROM THE COLLECTION OF 


MR. FRANCOIS ADAM 


CAMROSE, ALBERTA, CANADA 


WITH 


FIFTY-TWO PAINTINGS 


_ FROM THE COLLECTION OF 


fee EARICH GALLERIES 


NEW YORK 


TO BE SOLD BY AUCTION 
WEDNESDAY, THURSDAY EVENINGS, NOVEMBER EIGHTH, NINTH 
AT EIGHT’-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, PresIDENT| 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1922 


CONDITIONS OF SALE 


All bids to be PER LOT as numbered in the Catalogue. 

The highest bidder to be the buyer. In all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as 
to the good faith of all claims and his decision shall be final. = 

Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the 
lots purchased to be immediately resold. 

Purchases to be taken away at the buyer’s expense and risk 
within twenty-four hours from the conclusion of the sale, and the — 
remainder of the purchase money to be paid on or before delivery, 
in default of which The Anderson Galleries, Incorporated, will not 
be responsible if the lot or lots be lost, stolen, damaged, or destroyed, - 
but they will be left at the sole risk of the purchaser, and subject to 
storage charges. 

All lots will be exposed for public exhibition before the date 
of sale, for examination by intending purchasers, and ‘The Anderson 
Galleries, Incorporated, will not be responsible for the correctness 
of the description, authenticity, genuineness, or for any defect or 
fault in or concerning any lot, and makes no warranty whatever, but 
will sell each lot exactly as it is, WITHOUT RECOURSE. 

TERMS CASH. Upon failure to comply with the above condi- 
tions any sum deposited as part payment shall be forfeited, and all 
such lots as remain uncleared after twenty-four hours from the con- 
clusion of the sale will be resold by either private or public sale at 
such time as The Anderson Galleries, Incorporated, shall determine, 
without further notice, and if any deficiency arises from such resale 
it shall be made good by the defaulter at this sale together with all 
the expenses incurred thereby. This condition shall be without 
prejudice to the right of The Anderson Galleries, Incorporated, to 
enforce the contract with the buyer, without such resale. 

Bips. We make no charge for executing orders for our cus- 
tomers and use all bids competitively, buying at the lowest price 
permitted by other bids. | 

The Anderson Galleries, Incorporated, will afford every facility 
for the employment of carriers and packers by the purchasers, but 
will not be responsible for any damage arising from the acts of such 
carriers and packers. 


THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 


NEW YORK 
TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


LIST OF 


ALKEN, S. 
AMBERGER, C. (ATT. TO) 
BARKER OF BATH, T. 
BELL, W. 

BELLIZ, H. 

BOLOGNESE SCHOOL 
BRETON, J. 

BRUYN, B., THE ELDER 
CANALETTO 

CHARTON, J. H. 
CLAYS,-P--]. 

COLLIER, E. 

COTES, F. 

COUTURIER, P. L. 
COURTOIS, H. 

CROME, J. 

DE BAEN, J. 

DE HONT, H. 
DELDERONNE, L. 

DEVIS, A. 

DE WIT, J. 

DIAZ DE LA PENA, N. V. 
DILLENS, A. 

DUBOIS, L. 

DUTCH SCHOOL 
ERNIEL, E. 

FRANCA 

FRANCIABIGIO (ATT. TO) 
FRANSON, J. 
GAINSBOROUGH, T. 
GERARD, T. 

GROS, A. L. (BARON) 
GUINAU, J. 

GUISTO, F. 

HUDSON, T. 

ITALIAN SCHOOL 
TAGOUE. C. FE: 

JAMAR, A. 


ARTISTS 


PAINTING 
NUMBER 
98 

106 

purity) 


EkO nts 6 120 


74;°76, 77, 80, 83; 103 


102 
22, 49 
66 

129 
75, 85 
38 


Bee gens WT, Teel Selig. 2 tage 20, 20, . 31,33 


B71 A850, 52; 55; 50,.59, 61, 93;-65, 67, 08;.°70, 95 


Ge 
JORDAENS, J. 
KNELLER, G. (SIR) 


131 
1OT, 124 


LANCRET, N. (ATT. TO) 
LELY, P. (SIR) 
LONGHI,.P. 
MAILLART, D. 
MARTIN, D. 
MIGNARD, P. 
MONCHABLON, F. J. 
MURILLO SCHOOL 
NASMYTH, P. 
NETSCHER, C. 
OPIE, J. 

OWEN, W. 
PANNINI SCHOOL 
PECRUS, C. 
PHILLIPS, T. 
RANET, V. 
RAMSAY, A. 
REINHARDT, B. F. 
REYNOLDS, J. (SIR) 
RICHBORN, J. 
ROMNEY, G. 
SARTORIUS, J. N. 
SCHMIDT, W. H. 
SCHOUTEN, P. H. 
SCHUMEC. 
STEELINK, W. 


TENIERS DSsTHE YOUNGERAU Ai ebay 


VAN DER HELST, B. 
VAN DER TAELEN 
VAN DYCK, A. (SIR) 
VAN GENEGEN, J. 


VAN GOYEN, J. (SCHOOL OF) 


VAN IMSCHOOT, J. 
VAN LEEMPUTTEN, C. 
VAN RAVESTEYN, J. A. 
VARLET, J. 


VERBOECKHOVEN (AFTER) 


VERE Ale 
VERWEF, C. L. 
WARLAND, C. 
WATTS, F. W. 
WEENIKX, J. B. 
WILLCOCK, G. B. 
WYATT, H. 
ZOFFANY, J. 


PAINTING 
NUMBER 
134 

119 

QI 

53 

114 

127 

Sh 

84 

95 

90 

94, 107 
“IOs 

88 

27 

1s 

18 

128 

45 

121 

ig 

115 

87, 93 
42 

41 

135, 

32 

: 82 
89, 120 
2 

132 138 
20, 54), 58; 04 
78 


ae Heat ‘oh 3 
% conten ea THE PAINTINGS 


ice 


23 ea La Be 29, 30, 31, 33 37, 40, 41, 42, 
48, 49, BO tae 53, 595A, ares 0, 57559, 59, 60, OF, 

| 65, 66, 67, 68, 69, 70, 71, 72, 73, 74) 75, 77; 78, 80, 
103, se sao 120,51 30;: 131, 132; 133,135. 


THE FOLLOWING LOTS ARE FROM THE 
_ EHR d CH GALLERIES, NEW YORK 


¥ 


3 @ 38, 39, 45, 47, 76, 79) 84, 85 86, 87, 88, 90, 


SALE WEDNESDAY EVENING, NOVEMBER EIGHTH 
AT EIGHT-FIFTEEN O’CLOCK 


FIRST SESSION 
NUMBERS 1-73 


CONTEMPORARY BELGIAN 


ae 
H-BELLIZ 
15 


foes Di lik, - 
A joint of beef in a platter, a cauliflower, onions and a glass 
jar of gherkins, against a dark background. 


Canvas. Signed at lower left. Height, 21 inches; width, 30 
inches. 


H. VAN DER TAELEN rae 
CONTEMPORARY BELGIAN ke 


2 CATHEDRAL INTERIOR ; 
High vaulted nave, showing marble groups and stained glass 
windows. 


Canvas. Signed at lower right. Height, 33 inches; width, 19 
inches. 


ARMAND JAMAR p f a 
CONTEMPORARY BELGIAN ‘be? 


3 MOTHER AND CHILDREN 
The mother is seated rocking her babe to sleep, little girl at 
her side, kettle on the fire at right; humble interior. 


Canvas. Signed at lower right. Height, 22 inches; width, 29 
inches. 


COPY AFTER VERBOECKHOVEN 
BELGIAN, 19TH CENTURY | by 


Mae Os Oa) Op BO 
A spirited animal with uplifted head in the foreground, sev- 
eral sheep and a goat in the grass at the left, hilly landscape; 
blue sky with warm cloud effects. 


Canvas. Signed at lower left. Height, 18 inches; width, 21 
inches. 


ARMAND JAMAR. are 
CONTEMPORARY BELGIAN (s Ue 3 
CE aA sleL i Neti 


Homely interior, with a peasant woman seated beside a cano- 
pied bed administering to the invalid; artistic accessories. 


Canvas. Signed and dated 1902 at lower left. Height, 23 
inches, width, 20 inches. 


| 0 
THEODORE GERARD” Sa 
BELGIAN, 19TH CENTURY | 
6 THE NEWS 
The young mother seated, her babe in her lap, turns to her 
husband standing at the left reading a newspaper; a dog looks 
on and a servant is in the background; homely interior. 


Canvas. Signed at lower right. Height, 28 inches; width, 25 
inches. 


| ye 
ARMAND JAMAR 5. 
CONTEMPORARY BELGIAN | 
7 STILL LIFE 
Yellow chrysanthemums in a green vase, partly reflected in a 


brass kettle at the left; candelabra at the right; scarlet back- 
ground. 


Canvas. Signed and dated 1919 at lower right. Height, 25 


inches, width, 20 inches. 


8 


IO 


II 


C. L. VERWEE | : ), ‘g 


BELGIAN, I9TH CENTURY 
FIRST AID _ 
The little girl has bruised her knee and is being cared for by 
her mother and an elderly nurse. 


Panel. Signed at lower right. Height, 22 inches; width, 21 
inches. : 


ARMAND JAMAR oa 
CONTEMPORARY BELGIAN is 3 


VIEW OF NEW YORK CITY 


Taken from the Brooklyn side, the disc of the sun near the 


_ horizon, orange-tinted clouds in an emerald sky. 


Panel. ‘Signed and dated 1919 at lower left. Height, 14 


inches, width, 20 inches. 


Kk. ERNIEL ae 
CONTEMPORARY BELGIAN hb, 


THE BROOK 
Small stream in the foreground at the right, several punts on 
the bank at the left; wooded background; gray and creamy sky. 


Canvas. Signed at lower left. Height, 16 inches; width, 24 
inches. 


ARMAND JAMAR 
CONTEMPORARY BELGIAN ) (). 


EVENING , 

View on the East River, Brooklyn Bridge at the middle dis- 
tance, steam from a tug rising at the left, the moon at crescent 
at upper right. 


Canvas. Signed and dated 1919 at lower left. Height, 15 


inches, width, 18 inches. 


TZ 


13 


14 


15 


Pec Ce 
ARMAND JAMAR D5 
CONTEMPORARY BELGIAN 


THE SPINNING WHEEL 

A young woman in ornate peasant costume is seated at her 
wheel in a corner of a room with a high pitched ceiling; kettle 
on the fire and kitchen utensils about; interesting light effect. 


Canvas. Signed and dated 1908 at lower left. Height, 30 
inches, width, 21 inches. : 


J. RICHBORN 
CONTEMPORARY BELGIAN [). 


INTERIOR OF A STABLE 

A brown horse feeding while a peasant is seen at the right; 
various light effects from doors and windows; a glimpse of 
a cottage at the left. 


Canvas. Signed at lower left. Height, 20 inches; width, 28 
inches. 


JULES VAN IMSCHOOT Fae 
BELGIAN, 19TH CENTURY | S 


THE PARTING GLASS 

A cavalryman mounted on a black charger is reaching for a 
glass of liquor served by a buxom inn maid; soldier blowing 
a bugle at middle distance and another beyond; village scene, 
a boy on improvised hobby-horse at the right. 


Canvas. Height, 10 inches; width, 14 inches. 


ARMAND JAMAR pe 
CONTEMPORARY BELGIAN 29 , 


A BELGIAN TOWN | 
A river with small boats, a bridge of three arches with pas- 
sengers at middle distance, light sky with cloud effects. 


Canvas. Signed and dated 1910 at lower left. Height, 22 
inches, width, 30 inches. 


16 


17 


18 


oe 


ADOLPH DILLENS ie 
BELGIAN, 19TH CENTURY j: 

THE VILLAGE SMITHY 

The farrier is preparing to shoe a white horse as a hostler 

leads a fine black horse at the right; chickens about, village 

with church spire at the distance; blue and cloudy sky. 


Canvas. Signed at lower left. Height, 21 inches; width, 28 
inches. 


ARMAND JAMAR | vey 
CONTEMPORARY BELGIAN ih ie 


STILL LIFE 
Fruit, brass kettle and a platter arranged in nice design against 
a deep scarlet background. 


Canvas.. Signed and dated 1919 at lower right. Hetght, 20 
inches; width, 29 inches. 


VICTOR RANET ee 
CONTEMPORARY BELGIAN | i 


SEAMSTRESSES 

In neat costume a number of sewing girls are seated about, 
busy with their needles; a sewing machine is at the left, and 
other attendants are standing. 


Panel. Signed and dated 1887 at lower right. Height, 14 


inches, width, 25 inches. 


JULES VAN IMSCHOOT / 
BELGIAN, I9TH CENTURY eat 


be 
AFTER THE BATTLE 


A cavalryman mounted on a brown horse is leading the white 


charger of the wounded Maréchal MacMahon on the road to 
Sedan, strewn with the bodies of the dead; soldier on horse 
in background; warm gray sky with patches of blue. 

On the back is a signed statement in French by the artist giving 
the above interpretation of his picture. 


Panel. Signed and dated 1872 at lower left. Hetght, 12 


inches; width, 17 inches. 


20 


21 


22 


23 


JOSEPH VAN GENEGEN S 


CONTEMPORARY BELGIAN )() : 
STILL LIFE 


A highly polished kettle surrounded bye Bren on the shell, 


celery, onions and half a lemon, arranged on a kitchen table. 


Canvas. Signed at lower right. Height, 24 inches; width, — 
31 inches. 


CONTEMPORARY BELGIAN 
INTERIOR WITH FIGURES 


A woman in peasant costume is nursing her babe, while the 
little girl stands before her; a cradle is seen, and a cauldron 
and kitchen utensils are about; window at the left. 


ARMAND JAMAR if A 


Canvas. Signed and dated 1908 at lower left. Height, 29 


inches; width, 22 inches. 


J7 GENS c 
BELGIAN, 19TH CENTURY 0: | 
LANDSCAPE WITH CATTLE 
Vista of undulating countryside, cattle and cowgirl at the 


centre, wooded at the left and middle ground; blue sky with 
rolling cloud effects. 


Panel. Signed at lower right. Height, 14 inches, width, 20 
inches. | 


ARMAND JAMAR 
CONTEMPORARY BELGIAN de 


THE WATER MILL 
An old mill, the wheel in motion stirring the water in the 
pond; wooded background, blue sky. 


Canvas. Signed and dated 1917 at lower right. Height, 31 


inches, width, 21 inches. 


24 


25 


26 


27 


} ae 

L. DELDERONNE () 
CONTEMPORARY BELGIAN a ‘ : 

PREPARING THE MEAL | 

An elderly woman is seated with her back to the spectator pre- 


paring vegetables, which a young woman is stirring into a big 
cauldron on the fire in a simple interior. 


Canvas. Signed at lower left. Height, 20 inches; width, 31 
inches. | 


HERMANN COURTOIS (?): x0, 
CONTEMPORARY BELGIAN | 1 7 


STILL LIFE 
Flowers in a vase, deep blue glass bowl, fruit and dishes nicely 
disposed on a draped table with flowered curtain background. 


Canvas. Signed illegibly at lower left. Height, 21 inches; 
width, 19 inches. | 


-) 


10. 
ARMAND JAMAR ae 
CONTEMPORARY BELGIAN 4 "| ; 


mi rie FIRESIDE 

Old lady at her knitting in centre of artistic interior with high 
pitched ceiling, quaint old utensils about, light entering from 
casement window. 


\ 


Canvas. Signed and dated 1905 at lower right. Height, 22 
inches; width, 30 inches. 


CEeEC RS 
BELGIAN, 19TH CENTURY ee 


THE ARTIST 

A blonde young lady in cream satin dress is seated sketching 
a classical bust placed on a red-covered table; rich interior 
nicely detailed. 


Panel. Signed at lower right. Height, 10 inches; width, 8 
inches. 


28 


29 


30 


31 


P. L. COUTURIER | 
FRENCH, 19TH CENTURY 


BARNYARD FOWL | 
Chickens and ducks grouped about, some drinking at a trough, 
a pheasant perched on a ladder at the right. 


Canvas. Signed and dated 1863 at lower right. Hage 18 
inches; width, 20 inches. 


£0 
ARMAND JAMAR Se 
CONTEMPORARY BELGIAN Te 


FEEDING THE CATTLE 

A woman in green garments carrying a bucket is scanning the 
well-being of several cows in a pen; high pitched barn in- 
terior with hay in loft, agricultural implements and utensils 
about. 


Canvas. Signed and dated 1906 at lower right. Height, 29 
inches; width, 22 inches. 


CHARLES WARLAND h 
CONTEMPORARY BELGIAN ) 


VIEW ALONG THE PEPINSTER 

Pretty river at the right, road on the left, rising wooded slopes 
and a village with church spire in the distance; blue sky with 
cloud effects. 


Panel. Signed at lower right. Height, 18 inches; width, 26 


inches. 


CONTEMPORARY BELGIAN 
SAYING GRACE 


In a peasant interior a mother and daughter in homely garb 


are seated at table, heads bowed in prayer; a babe is in a cradle 
at the back. 


Canvas. Signed and dated 1912 at lower left. Height, 21 
inches; width, 30 inches. 


ARMAND JAMAR Mh | 


a 


32 


33 


ot 


WILLEM STEELINK A is 4 
BELGIAN, 19TH CENTURY 


LANDSCAPE 

Sheep feeding in grassy foreground, with a path zigzagging 
toward a thatched cottage at the brow of a hill at the middle- 
ground, blue sky streaked with silver and gray clouds. 


Canvas. Signed at lower right. Height, 13% inches, width, 
19g inches. 


e rad 
ARMAND JAMAR fe 
CONTEMPORARY BELGIAN i} J» 


GRACE BEFORE MEAT 

A peasant and his wife and daughter in quaint costume and 
artistic headdress are seated at table; the father, hat in hand, 
is Saying grace; interesting interior with big fireplace. 


Canvas. Signed and dated 1908 at lower right. Height, 22 
inches, width, 30 inches. 


PAUL JEAN CLAYS a \\0. 
BELGIAN, 1819-1900 S 


Pee MOULH OF THE SCHELDT 

Fine large fishing vessels in the foreground with brown and 
tan-colored sails, reflected in the limpid water; various craft 
at the middle distance, town on mainland in the distance, with 
a windmill in nice design across the horizon line; gulls about, 
pale emerald sky with banks of gray clouds with cream and 
silver linings. 


Canvas. Signed and dated 1871 at lower right. Height, 24% 
inches; width, 41% inches. 


35 


36 


ay) 


7 
FERDINAND JAN MONCHABLON (90: 
CONTEMPORARY .FRENCH / 


LANDSCAPE 
Bright summer day, a rivulet winding its way through a vil- 


lage with a group of red tiled roof cottages at the left; figures 


about, pale blue sky with cloud effects. 


~ Cradled panel. Inscribed on back: “La Saone (river) Liron- 


court, Vosges (France), No. 251 (in sequence of artist's 


work).” Height, 13 inches; width, 18 inches. 
re 
JULES BRETON ,09 
~ FRENCH, 1827-1906 
BY THE SEA 7 


Figure of a fishergirl in Breton costume standing on the bank, 


-her right arm akimbo, her dark garments and white bonnet 


in fine contrast against an expanse of deep blue sea with sails 
and a distant hill deftly touched in; blue sky with slight cloud 
effect near horizon. 


Canvas. Signed and dated 1865 at lower right. Height, 15% 


inches, width, 12 inches. 


ARMAND JAMAR RE 
CONTEMPORARY BELGIAN 
SPINNING 
High panelled interior with huge chimney fireplace with caul- 
dron on the fire, a peasant woman at her wheel, plates and 


ewer on the mantel, a crucifix on the wall, an old clock at the 
right. 


Canvas. Signed and dated 1918 at lower left. Height, 30 


inches; width, 22 inches. 


[SEE ILLUSTRATION ] 


SPINNING 
BY ARMAND JAMAR 


[37] 


en 


38 


yd” 


+ ‘ 


DRE Se 
Vis 


40 


_ group. Wooded background, with a glimpse of hill and sky 


Zn 
CHARLES EMILE JACQUE _ \0° | 
FRENCH, 1813-1893 


FEEDING TIME 

Interior of a sheepfold, sheep and lambs about, some nibbling 
at the hay in the crib; steps leading to loft at the right, a 
woman in the background; hens add interest. A ray of light 
from the top illumines the white wall and several of the ant- 
mals in the foreground effectively. 


Panel. Signed at lower left. Height, 12 inches; width, QVe 


inches. 


, a 


NARCISSE VIRGILE DIAZ DE LA tee jo 


FRENCH, 1809-1876 S | 
: ae ) Kt » \ ext a 
MATERNAL LOVE \ 

A couple of young mothers, one in pink gown Renee ¥ | 
a nude blond child on her sate the other in deep blue kneeling y i 
while her auburn-haired child stands, making a charming © | 


at the right. 
Canvas. Signed and dated 1863 at lower left. Height, 27% 


inches; length, 21 inches. 


ARMAND JAMAR 
CONTEMPORARY BELGIAN 


WOMAN KNITTING | 

In a dark interior, with the light coming from a window at the 
left, a peasant woman is seated knitting near the big fireplace 
with a huge kettle, a table, chairs and utensils about. 


\) ) 


Canvas. Signed at lower right. Height, 22 inches; width, 29 
inches. 


4I 


42 


43 


44 


BELGIAN, 19TH CENTURY 
GOING TO MARKET 


A country couple in peasant costume are driving a cart drawn 
by a brown horse at a trot along the country road, passing 
pastures with cows; a black and white dog is in the van. 


P. H. SCHOUTEN ie a 


Canvas. Signed at lower left. Height, 50 inches, width, 38 
inches. 


GERMAN, 19TH CENTURY 
TIME TO WAKE UP 


10 
W. H. SCHMIDT pve 
| a 


A dog has approached his master, who is asleep in sitting 
posture, and is about to touch him with extended paw. ‘The 


gun, the military accoutrements about, the sword and the 
empty glass in his hand indicate the home of a soldier. 


Panel. Signed and dated 1863 at lower left. Height, 16 


inches; width, 15 inches. 


ARMAND JAMAR ) 
CONTEMPORARY BELGIAN 7 


INTERIOR WITH FIGURES 
Humble scene showing the family of a peasant at their meal, a 
fireplace at the left and light from a window at the right. 


Canvas. Signed and dated 1917 at lower right. Height, 21 
inches, width, 30 inches. 


CORNEILLE VAN LEEMPUTTEN 
CONTEMPORARY BELGIAN 


SHEEP | 

A number of sheep are ruminating in groups over an expanse 
of meadow of long grass, the shepherdess is seen in the dis- 
tance, wooded ridge at the middleground; pale blue sky with 
gray and creamy cloud effects. 


Panel. Signed at lower left. Height, 26 inches, width, 35 


inches. 


45 


AMERICAN, 1829-1885 
PORTRAIT OF LORD TENNYSON | 


his left hand holding a cape thrown over his right shoulder 


warm light gray background. 
(For some years the artist lived abroad, where he panes 


many notable personages. ) 
Canvas. Signed and dated 1866 at the right. Height, 29 


inches, width, 24 inches. 


[SEE ILLUSTRATION ] 


/ 
BENJAMIN FRANKLIN REINHARDT, A.N.A. 00 


Bust, head to the left, shoulders to the front, dark hair and \) 
beard with touches of gray, attired in black satin-lined coat, 


rc , 


PORTRAIT OF LORD TENNYSON 


FRANKLIN REINHARDT, A.N.A. 
[45 ]| 


BY BENJAMIN 


BARNYARD FOWL 
BY CHARLES VERLAT 


[46] 


ie 
CHARLES VERLAT A 
BELGIAN, 19TH CENTURY s| : 


46 BARNYARD FOWL 
A white rooster is interested in some chicks playing by a dish 


of water; several black and white hens about; sky effect at the 
lett 


A certificate of authenticity, signed by the artist, is inscribed 
on the back. 


Panel. Signed and dated 1860 at lower right. Height, 26 


inches, width, 38 inches. 


[SEE ILLUSTRATION | 


aa 


49 


50 


e 
FRANCA cee 
19TH CENTURY 


PORTRAIT OF A BOY 


Three-quarter length, seated, looking at spectator, of a blond 
youth in black necktie, white shirt and collar and dark suit, 
holding a crayon in his right hand and a paper in his left; 
simple background. 


Canvas. Signed at lower right. Height, 30 inches, width, 25 
inches. 


ARMAND JAMAR fo 
CONTEMPORARY BELGIAN 4 


EAST RIVER VIEW : 
Coal pockets at the right, factories on the left bank, bridge in 
the distance; warm sunset sky. 


Canvas. , Signed and dated 1919 at lower right. Height, 17 
inches, width, 25 inches. 


J. GUINAU if 
BELGIAN, 19TH CENTURY od : 
LANDSCAPE WITH FIGURES 
Undulating country with thatched cottages at the left, cattle 
and a cowgirl and fowl in the foreground, hilly wooded dis- 
tance with church spire near the horizon; blue and clouded sky. 


Panel. Signed and dated 1867 at lower left. Height, 14 
inches; width, 19% inches. 


ARMAND JAMAR 
CONTEMPORARY BELGIAN 


PORTRAIT STUDY OF A PEASANT GIRL 
Half-length, seated, facing the spectator, her right arm resting 
on back of chair, attired in blue jacket and skirt, white chemise 
and bonnet headdress; cream-colored background. 


Canvas. Signed and dated 1910 at lower right. Height, 30 
inches; width, 22 inches. 


Ly! 


§2 


a 


54 


6 
eae 
J. VARLET '] 
CONTEMPORARY BELGIAN : 
FISH MARKET ; : 
Many fishing boats in the harbor, with fishermen and women 


handling the catch in baskets, animated scene; town at the 
right, blue and creamy sky. 


Canvas. Signed at lower right. Height, 32 inches, width, 39 


inches. 


[ 
ARMAND JAMAR NO 


CONTEMPORARY BELGIAN 


MOTHER AND CHILDREN 

In a quaint interior a woman in peasant costume and two chil- 
dren are busy at household duties; fireplace with medieval 
irons, window at the right. 


Canvas. Signed and dated 1908 at lower right. He1ght, 29 
inches, width, 22 inches. | 


CONTEMPORARY FRENCH 
CLASSICAL COMPOSITION 


A female in light flowing draperies is about to nurse a nude 
child seated beside her on a bank by a fountain; lake beyond, 
pale sky. 


y 
D. MAILLART z f) i 


Canvas. Height, 21 inches, width, 15 inches. 


; rs 
JOSEPH VAN GENEGEN ny): 
CONTEMPORARY BELGIAN 


STILL LIFE 
A brass kettle with oysters, half a lemon, a bottle and a dish 
on a table against a dark background. 


Canvas. Signed and dated 1910 at lower left. Height, 21 
inches, width, 25 inches. . 


55 


PRO 


57 


ARMAND JAMAR ee 
CONTEMPORARY BELGIAN f. 

MARINE 

Deep blue sea rolling in toward the spectator, gulls flying near 

the surface of the water, blue sky with orange effect near 

horizon. 


Canvas. Signed and dated 1919 at lower right. Height, 19 
inches, width, 30 inches. 


ARMAND JAMAR he 
CONTEMPORARY BELGIAN HE 


PREPARING THE MEAL 
A young woman in homely garb and wooden shoes is seated 
on a stool, peeling potatoes while a cauldron is on the fire; a 


child is seated on the floor; kitchen utensils and ornaments 


about, open window at the right. 


Canvas. Signed and dated 1918 at lower right. Height, 21 
inches, width, 30 inches. 


JOSEPH FRANSON A 
BELGIAN, 19TH CENTURY b/s 
FARM COTTAGE ei Nes. 
A large white cottage with red high-pitched roof surrounded 
by barns and fine trees, a road with a lonely figure at the left, 
greensward in the foreground; blue sky. 


Canvas. Signed at lower right. Height, 20 inches, width, 29 
inches. 


JOSEPH VAN GENEGEN Feel 
CONTEMPORARY BELGIAN wey eek 


SLL LIFE 
A large covered kettle with oysters, a slice of melon, fruit and 
a pheasant on a table against a neutral background. 


Canvas. Signed and dated 1919 at lower left. Height, 33 


inches; width, 43 inches. 


59 


60 


61 


62 


ARMAND JAMAR O 
CONTEMPORARY BELGIAN Ne 
INTERIOR WITH FIGURES 


Effective presentment of two women at a tea table in ieee 
silhouette against a window; rich interior. 


Canvas. Signed and dated 1904 at lower right. Height, 22 


inches, width, 30 inches. 


4 
L. DUBOIS : A : 
CONTEM PORARY BELGIAN 


STILL LIFE 
Fish, a crab, a glass, various dishes and some greens arranged 
on a table against a neutral background. 


Canvas. Signed at lower right. Height, 23 inches; width, 35 
inches. 
/D 
pas 
ARMAND JAMAR Ni 
CONTEMPORARY BELGIAN 
THE DAIRY MAID 
In a barn, with hay and grain about, a peasant ¢ cite is seated, 
while a Sime and other implements are shown ; high inet 
techies ett: 


Canvas. Signed and dated 1907 at lower right. Height, 29 
inches, width, 22 inches. 
46 
Aes 


CORNEILLE VAN LEEMPUTTEN A 
CONTEMPORARY BELGIAN 


foie Medved e2 

A number of sheep are grouped about a grassy pasture, the 
shepherdess is warming herself at a fire of brushwood at the 
left, rising ground with trees and a thicket farther back, dog 
at distance, gray and creamy sky. 


Canvas. Signed and dated 1889 at lower left. Height, 26 
inches; width, 36 inches. 


63 


64 


65 


66 


ARMAND JAMAR b, 
CONTEMPORARY BELGIAN pe 

THE OLD COUPLE 

A weather-beaten peasant sits smoking his pipe at a bright, 


open fireplace while an aged woman knits at the right; hum- 
ble interior. 


Canvas: Signed and dated 1903 at lower left. Height, 22 
inches, width, 30 inches. 
) 


JOSEPH VAN GENEGEN at) 4 
CONTEMPORARY BELGIAN ) | 


PATH THROUGH THE WOODS 

Tall trees in close formation, with the rays of sunlight in 
nice pattern on the ground; thick foliage at distance, with 
a glimpse of sky at the back. 


Canvas. Signed at lower left. Height, 35 inches; width, 49 
inches. 


ARMAND JAMAR OF 
CONTEMPORARY BELGIAN ihe. 
INTERIOR WITH FIGURE 


A barefooted peasant girl is seated close to the hearth, pre- 
paring vegetables. 


Canvas. Signed and dated 1918 at lower left. Height, 30 
inches, width, 22 inches. 


FAUSTO GUISTO , 
ITALIAN, 19TH CENTURY hy" 


FEMALES QUARRELLING 

In a picturesque courtyard a number of wayfarers have halted 
on their errands, amused, as two pretty maidens scold one an- 
other; colorful costumes; fowl about, and a couple of men at 
a game of cards at the right. 


Canvas. Signed at lower right. Height, 39 inches, width, 60 


inches. 


67 


3 : de 

ARMAND JAMAR 45 | 
CONTEMPORARY BELGIAN 

HARBOR SCENE 

Low-pitched horizon, the calm waters of an inlet with barges | 


’ and dories in the foreground, several sails in the offing and a 


lighthouse at the horizon, sand dunes at the right distance; 


_ blue sky with pink-tinted clouds. 


68 


Canvas. Signed and dated 1913 at lower left. Height, 28 
inches; width, 39 inches. 


; a 

ARMAND JAMAR ‘5 7 
CONTEMPORARY BELGIAN Z 

STREET SCENE IN BRUGES 

A canal bordered with trees and a bridge at the left, street 

and buildings at the right, figures about; light, warm sky. 


Canvas. Signed and dated 1909 at lower right. Height, 28 
inches, width, 39 inches. 


J. H. CHARTON, AFTER KOWALSKI 4 
CONTEMPORARY BELGIAN Q); 


ATTACKED BY WOEVEs 

A sleigh drawn by four horses has been overtaken by a pack 
of wolves; the despairing driver urges on his frantic horses 
while his companion is levelling his gun at the nearest ma- 


rauder; snow-covered landscape, dark gray sky with touches 
of blue. 


Canvas. Signed at lower right. Height, 30 inches; width, 52 
inches. 


: 19 A F oe aaa ‘ee 
2 esaaiaes 


ARMAND JAMAR as 
CONTEMPORARY BELGIAN pe 
go CISHING BOATS 
Quaint harbor scene, with the nets hung from the masts of 


the boats to dry, nice silhouette of buildings, figures about; 
warm creamy and blue sky. 


Canvas. Signed and dated 1913 at lower right. Height, 28 
~.. inches, width, 40 inches. 


: hy yo 
ARMAND JAMAR LO 
CONTEMPORARY BELGIAN 


71 MOONRISE 
Fishing boats and river craft anchored in a broad stream, 
the orange disc of the moon rising in a sky luminous with the 
last rays of the setting sun. 


Canvas. Signed and dated 1911 at lower left. Height, 28 
inches, width, 40 inches. 


x 

mS) “ 
ARMAND JAMAR nO: 

\ CONTEMPORARY BELGIAN sad 


|. 72 THE STORM 


The pale green waters in light relief against a leaden sky are 
lashed into fury by a storm; a small trawler tossing in the 
_ heavy sea is in danger of being dashed against a dock. 
Ganvas. Signed and dated 1903 at lower right. Height, 40 
inches; width, 60 inches. - 
a 


ARMAND JAMAR eae 
CONTEMPORARY BELGIAN » Y 
73 VIEW OF NEW YORK CITY 
Silhouette of lower New York against a fleeting sky of warm- 
tinted clouds. 


Canvas. Signed and dated 1919 at lower right. Height, 40 
inches; width, 60 inches. 


SALE THURSDAY EVENING, NOVEMBER NINTH 
AT EIGHT-FIFTEEN O’CLOCK 


SECOND SESSION 
NUMBERS 74-135 


DUTCH SCHOOL eee 
17TH CENTURY a 0). 


74 TAVERN SCENE 
Men seated about playing cards, using casks as tables; maid 
serving wine. 


Canvas. Height, 13 inches, width, 18 inches. 


ITALIAN SCHOOL \ ae 
18TH CENTURY | 


75 MADONNA, CHILD AND ST. JOSEPH 
The Virgin in red and blue garments is seated, holding the 
nude Infant, and St. Joseph offers a pear at the left, while 
the white dove representing the Holy Ghost hovers above. 


Copper. Height, 27 inches; width, 17 inches. 


DUTCH SCHOOL. che 
18TH CENTURY + 


76 STILL LIFE 


Flowers of a great variety in a vase placed on a table; neutral 
background. 


Canvas. Height, 30 inches; width, 25 inches. 


DUTCH SCHOOL jae 


18TH CENTURY \\ 


77 THE TAVERN 


A number of burghers and a woman, some drinking or 
smoking. | 


Canvas. Height, 13 inches; width, 18 inches. 


SCHOOL OF J. VAN GOYEN 
DUTCH, -17 TH -CENTUORY A - 


738 PAIR OF RIVER SCENES 
(A) With lofty church on right bank, sailcraft and rowboats 
about; rolling creamy-tinted clouds with touches of blue. 


Panel. Height, 15 inches; width, 20 inches. | 


(B) Embattled castle on right bank, various sails at distance, 
ferryboat with passengers at left foreground, gray and cloudy 
sky. 


Panel (split). Height, 15 inches, widtis 20 inches. 


BOLOGNESE SCHOOL , 
17TH CENTURY we 


49 HOLY FAMILY | 
The Madonna, Infant Christ, St. Joseph and St. John the 
Baptist. 


Panel. Feigned oval. Height, 6% inches, width, 5 inches. 


80 


DUTCH SCHOOL 


Me 
17TH CENTURY BP (), 


PORTRAIT OF A LADY 
Half-length, head and shoulders to the front, in low corsage, 


_ red gown with white insertion, brown hair dropping in curls 


81 


over left shoulder, eyes hiwaeae toward the spectator; hold- 


ing a carnation. Neutral background, with feigned oval. 


Canvas. Height, 30 inches; width, 29 inches. 


{ 
EVERT COLLIER (,0 : 
FLEMISH, 1602-1670 


VeaNTEIES, STILL LIFE 

An open book, a large wine glass, musical instruments, coins, 
an almanac, a pair of glasses, a skull, double string of pearls, 
sheet of music and a globe nicely composed on a table; neu- 
tral background. 


Canvas. Signed with monogram and dated 1661. Height, 36 
inches; width, 30 inches. 


ATTRIBUTED TO DAVID TENIERS THE YOUNGER 


82 


FLEMISH, 1610-1690 
STILL LIFE bas 


A breakfast assortment of herring on a plate, a cup of coffee, 
a glass of wine, another of liquor, a pot of beer, with playing 
cards, pipe and tobacco pouch, arranged on a table. 

An inscription on the back states that this picture was painted 


Berotmthe tavern. Elet -Perreke”. beyond. the: gate. “de la 


Bouverie,” Bruges, where it remained until 1889, well known 
to all Bruges. 


Panel. Height, 14 inches, width, 21 inches. 


A 


| 


t 


83 


84 


85 


DUTCH SCHOOL Ry 
17TH CENTURY ie 


PORTRAIT OF A LADY 
Bust, head and shoulders to the front, eyes Nineteen to the 
spectator, with long curly brown hair dropping in ringlets, 


in fancy costume of blue and tan with jewel ornaments, ani- 


mal head at the shoulder; neutral Dake ou feigned oval. 


Panel (split). Height, 29 inches, width, 23 inches. 


SCHOOL OF MURILLO Pane c 
: SPANISH, 17TH CENTURY h 0: 
PORTRAIT OF A YOUNG MAN | 
Half-length to the left, with hands clasped in supplication, 


wide square-cut collar, dark attire with lace cuffs; room in- 
terior in gray tones. | 


Canvas. Hetght, 23 inches; width, 1734 inches. 


ITALIAN SCHOOL He 


17TH CENTURY - 4 (). 


A FEMALE SAINT 
Half-length, seated, with long brown tresses, leaning on her 
right elbow as she gazes at her long crucifix in loving devo- 
tion, robed in white with black stripes and yellow and red 
draperies, an urn at the left foreground. 


Canvas. Height, 34 inches, width, 30 inches. 


86 


$8 


JACOB DE WIT ae 
FLEMISH, 1695-1754 nv 


CUPIDS 

Presentment of cupids playing at gardening, the one in the 
centre holding a spade and groups of two at each side ar- 
ranging floral baskets; representing a frieze executed in 
warm grays. : 


Canvas. Height, 39 inches; width, 28 inches. . 


J. N. SARTORIUS Cs 
ENGLISH, 1755-1828 \\ ae 


RACING AT NEWMARKET 

Two jockeys in scarlet and scarlet and green are neck and 
neck on their brown mounts near the winning post at the 
left; both are brandishing their whips and urging on their 
horses; onlookers, some with hats in air, line the fence of the 
racing enclosure; pavilion at the left; flat country background 
with gray cloud effects and touches of blue. 


Canvas. Height, 24 inches, width, 48% inches. 


SCHOOL OF PANNINI ne 
ITALIAN, 18TH CENTURY \O L 


CLASSICAL LANDSCAPE 


A colonnade at the right, with a staircase descending to the 
canal at the centre, where gondolas and small vessels are seen 
animated by figures; palaces at the left and right middle 
ground, distant view of houses and hills, blue sky with gray 
cloud effects. 


Canvas. Height, 38 inches; width, 30 inches. 


89 


“Tae On aie ee La ere 


BARTHOLOMEUS VAN DER HELST es 
DUTCH, 1613-1670. 


PORTRAIT OF ADMIRAL TROMP 


Half-length, shoulders to the front, head slightly ‘a the am 
of a blond man, hair thin on top, wearing a moustache and 
- slight goatee, ‘a white lace-edged collar, steel breastplate 


over tan-colored doublet | with fancy sleeves; neutral: back- 
ground. _ 

(From the Castle of Avainepenen and ie colleetans of M. 
Janssens and M. Mourlon, Brussels.) 

A. certificate of authenticity from Georges Giroux, Brussels, . 
accompanies this painting. | 


Cradled panel. Height, 29 inches; width, ft inches. 


[SEE ILLUSTRATION ] 


PORTRAIT OF ADMIRAL TROMP 
BY BARTHOLOMEUS VAN DER HELST 


[89] 


G05 PO RGR AI OE Ay GaN ION 


QI 


Q2 


CONSTANTIN NETSCHER | il. 
DUTCH, 1668-1722 | 


Full-length, seated, shoulders to the front, head resting on 
her left arm inclined to the left, golden hair, low, white — 
corsage with red gown and yellow drapery thrown about, a — 
little brown and white dog at the right seeking his mistress’s 
attention; park background with garden ornaments and 
statues. 


Canvas. Height, 23 inches; width, 18% inches. 


PIETRO LONGHI ~<a 
VENETIAN, 1702-1785 | , 


PORTRAIY OF A GENTLEMAN 

Half-length, turned to the right, in powdered wig and black 
beribboned queue, blue coat with gilt adornment, his right 
hand tucked under a flowered gold waistcoat, lace at the neck 
and sleeves; warm complementary background, feigned oval. 


Canvas. Height, 28 inches; width, 23% 1nches. 


JOHN CROME,; 0) 
ENGLISH, 1769-1821 \2 ; 


ENGLISH COUNTRY SCENE 

A road leading over a small bridge from which two men are 
fishing; a punt in the narrow stream where another man is 
patient with the rod; a cart laden with wheat approaching 
the mill on an elevation at the left, its vanes in nice design — 
over the sky; a clump of trees at the right middle ground and 
at the centre, where a church spire and cottage are seen; sev- 
eral dogs animate the foreground. 


Canvas. Height, 30 inches; width, 25 inches. 


ey? 


93 


O4 


JOHN N. SARTORIUS 


ENGLISH, 1755-1828 09 ; 


HUNTSMAN AND DOGS | 

A gentleman in hunting costume is recharging a gun, while 
two white and black spotted retrievers are seen at the right, 
one having just brought in a white pheasant and laid it on 
the ground, thus arousing the interest of the second dog; hilly 
wooded landscape with country mansion at brow of hill in a 
clearing at the right; warm gray sky with touches of blue. 
(Formerly the property of J. Cobb, friend of J. M. W. 
lurner. ) : 


Canvas. Signed and dated 1811 at lower left. Height, 22 
inches, width, 30 inches. 


FOrINSOPTE, RvA: we 
ENGLISH, 1761-1807 K(). 

PORTRAIT OF A GENTLEMAN 

Bust, to the left, of a dreamy poetic cast of countenance, 

sandy curly hair carelessly brushed, in scarlet, fur-lined coat; 

landscape background. 


Canvas. Height, 30 inches; width, 25 inches. 


PATRICK NASMYTH 
ENGLISH, 1787-1831 ze 


PN DSCAP.E i 

Road on the right with a peasant walking beside a loaded 
donkey, cottage beyond, vista of undulating country Atte, fete 
framed in by the branches of several fine trees; blue sky with 
masses of creamy clouds. 


Canvas. Height, 16% inches; width, 22 inches. 


96 


a 


: i 
HENRY WYATT L> 
ENGLISH, 1794-1840 


PORIERAIICO FASTA Ds 

Bust at full front, eyes directed to the spectator, dark hair 
parted in the middle brought down over the ears and dressed 
in braids on the crown of the head; low-cut green bodice; 
neutral background. 


Canvas. Height, 2034 inches; width, 17 inches. 


ENGLISH, 1800-1870 


CANAL LOCKS : | 

A barge with two men in the foreground, lock at the middle 
ground, cattle on bank at right, wooded expanse at left dis- 
tance, cottages at the right; rolling sky of light clouds with 
patches of blue. 


FREDERICK WATERS WATTS £0 ea: 


Canvas. Height, 20 inches; width, 29 inches. 


S. ALKEN 
ENGLISH, ABOUT 1750-1825 G0 


98 THE CHASE 


Three white pointers in a stubblefield in the foreground in an 
attitude of anticipation, other dogs as well as sportsmen at the 
middle ground; rolling fields, with cottage on the brow of a 


hill at the left; birds flying across a blue sky with warm cloud 
effects. 


Canvas. Signed at lower left. Height, 28 inches; width, 36 


inches. 


—— 


| 
1 


9 


100 


IOI 


: / 

G. B. WILLCOCK () 

ENGLISH, 1820-1852 \p 
MILL ON TEIGN 
Hilly country at the right, a couple of men fishing in the fore- 
ground, a rushing stream at the left, low middle distance 
where a watermill is seen, figure nearby; mountains at the 
horizon, blue sky with cloud effects. 


Canvas. Signed below to right of centre. Height, 15 inches, 


— width, 23% inches. 


ATTRIBUTED TO FRANCIABIGIO be as 
ITALIAN, 1482-1525 \ ) 


PORTRAIT OF A YOUNG MAN 

Bust, shoulders to the front, head slightly to the left, eyes 
directed to the spectator, long hair, a black cap of the biretta 
type, and black doublet with an undergarment of fine linen 
at the neck; landscape background, with a sprig of leaves at 
the right. 


Canvas. Height, 18% inches, width, 14 inches. 


SIR GODFREY KNELLER 
ENGLISH, 1646-1723 | 7 
PORTRAIT OF A LADY 
Half-length, head and shoulders to the front, of a pretty 
woman of stately mien, her dark hair descending over her 
right shoulder in long curl, attired in white chemise with 
dark blue and red drapery; neutral background. 


Canvas. Oval. Height, 29 inches; width, 24% inches. 


102 


103 


104 


0 
BARON ANTOINE LOUIS GROS \ 
FRENCH, 1771-1835 A re 


a 


NAPOLEON hee, ae 
Full- length, standing, looking at the spectator in chavattenene 
pose, his right hand tucked under his white waistcoat, blue 


close-fitting coat of a Field Marshal with white knee breeches — 


and stockings, black shoes with gilt buckles; ornate interior 
with fine Empire furniture. ; 


Canvas. Height, 3314 inches; width, 24% inches. 


DUTCH SCHOOL ee 
I7TH CENTURY aQ “ 
PORTRAIT OF (ASIGEADY | 
Half-length at full front, eyes directed toward the spectator, 
dark brown hair descending to the shoulders in ringlets, 
feather and velvet hair dress, wide gray collar, black gown; 
brown background. 


Panel. Height, 29 inches; width, 23 inches. 


H. DE HONT nee 
DUTCH: liye ke: CENTURY Al 


INTERIOR OF A BUTCHER SHOP 
The dressed carcass of an ox is hanging suspended at the left, 


the skin and horns are on the floor, the butcher is at the right 


wiping his instrument; various figures and a dog about. 

A certificate by F. Poupé Serrame of Brussels that this is 
a work by De Hont, a pupil of David Teniers the Younger, 
accompanies the painting. 


Panel. Height, 23 inches, width, 31 inches. 


WILLIAM OWEN, R.A. QQ. 
ENGLISH, 1769-1825 
fee ORTRATT OF A GIRL 
Halt-length, seated, shoulders to the right, eyes to the spec- 
tator, in ere cut, nae waisted blue gown, corsage edged with 
lace; puffs at shoulders, holding a pale strawberry-colored 
drapery over the right arm; interior background with land- 
scape through open window at thetert. 


Canvas. Height, 30 inches, width, 25 inches. 


PreribUlreD TO CHRISTOPHER AMBERGER 
, | GERMAN, ABOUT 1500-1562 \q0- 
106 PORTRAIT OF A MAN | 
Bust at full-front, eyes directed toward the spectator, with Uni- 
versity head-covering in black; blond-bearded, attired in fur- 
lined coat over dark doublet with lace collar; neutral back- 

ground. 


Canvas. Height, 21 inches; width, 17% inches. 


Ne). PT Be Rea 
ENGLISH, 1761-1807 © QO 
Tope RET TY BESSIE 
Bust to the front, eyes directed to the left, of a pretty maiden; 
head. with rich brown hair framed in wide-brimmed hat fast- 
ened under chin with yellow ribbons; red cloak and neutral 


background. 
(‘Pretty Bessie” was the daughter of the nee of Bethnal 


Green. ) 


Canvas. Height, 24 inches; width, 20 inches. 


THOMAS GAINSBOROUGH, R.A, gh 
ENGLISH, 1727-1788 — 


108 THE WOODCUTTERS; NORFOLK | ‘oa 
At the left under the limbs of a huge tree a ‘SOHGIe ate men are a} 
in conversation, a barrow is at their right and a thatched cot-) Ga 


i. a 
“< 


tage looms up at the back; road at right distance, where a Carta 
is seen, an inn with its eRe signpost farther in ‘the baeece oe 
tive; Blue, sky with warm cloud effects. or) 
; ‘ibang in Lord Gower’s book -on Gainsborough, page 72. ee 
_ (Purchased direct from the artist by Mr. Wait, whose s son in- 
herited it.) , , | 


Canvas. Height, 36 inches; width, 28 Melee 


[SEE ILLUSTRATION ] 


THE WOODCUTTERS 
BY THOMAS GAINSBOROUGH, R.A. 


[ 108 ] 


109 


THE PIAZZETTA, VENICE 
BY ANTONIO CANALE, CALLED CANALETTO 


[109 ] ‘ 


ANTONIO CANALE, CALLED CANALETTO P 
VENETIAN, 1687-1768 (39 


THE PIAZZETTA, VENICE 

The Doge’s Palace at the left, Campanile and ancient palace 
at the right, square in the middle animated by groups of of- 
ficials, clergy and people in fine costumes, with the columns 
of St. Mark and St. Theodore beyond and the Grand Canal 


and Church of Maria della Salute in the distance; blue sky 
with warm cloud effects. 


Canvas. Height, 26 inches; width, 37 inches. 


[SEE ILLUSTRATION | 


RETURN FROM THE SPORT 
BY JAN BAPTISTE WEENIX: 


[110] 


JAN BAPTISTE WEENIX Eye a 
DUTCH, 1621-1664 yr 
110 RETURN FROM THE SPORT 
A gentleman is watering his horse at a fountain at the right, 


while his attendant displays a large heron to the dogs grouped 
about in the foreground; ruins of arches in the background. 


Canvas. Signed with initials and dated 1652 on side of the 
drinking well. Height, 21 inches, width, 26 inches. 


[SEE ILLUSTRATION] 


Lbs 


TiZ 


iy Re: 


JAN DE BAEN 
DUTCH, 1633-1702 — 


PORTRAIT OF A LADY 

Three-quarter length, head and shoulders siehtys to the lett: 
lace headdress and cartwheel ruff, black gown of fine material, 
her left hand holding a glove, her right hand posed at the i 
waistline; gray neutral background. 


Canvas. Height, 45% inches; width, 32% inches. 


| / 
JOHN ZOFFANY. \) aa 
_ ENGLISH, 1733-1788 ae 


PORTRAIT OF MRS. GARRICK 

Half-length, seated, head at three-quarters, shoulders to the 
left, eyes directed toward the spectator, in lace house-bonnet, 
light gray gown with transparent lace fichu and satin ribbons, — 
hands holding open book placed on a blue cushion On attabice 
effective interior background. 


Canvas. Height, 30% inches; width, 24% inches. 


BARTHEL BRUYN THE ELDER> os ; 
GERMAN, 1494-1557 “ 

ALTAR PIECE 
Descent from the Cross, showing the three Maries, Joseph of 
Arimathea, Nicodemus and attendants lamenting over the 
body of Christ in the foreground, Golgotha and the crosses 
with the two thieves still suspended at left distance; blue sky 
with cloud effect. 
Left wing with male donor kneeling and saint standing, land- 
scape background; right wing with female donor kneeling and 
saint standing, castle and landscape background. 
A bishop and a female saint in grisaille on closed panels. 


Panels. Height, 3214 «inches; hath. 24 inches closed; 48 


inches when open, including frame. 


D. MARTIN an 
ENGLISH, 1736-1798 ay0 
114 PORTRAITS OF SISTERS 

Two bright-eyed girls, the taller at the right in low-cut pink 
dress with white trimmings, one hand holding a basket of 
fruit which the smaller sister also clasps, the latter attired in 
white costume, both looking at the spectator; landscape back- 
ground. 

(From the collection of Sir William Baillee of Polkemmet.) 


Canvas. Signed with monogram and dated 1783 at lower right. 
4 


+ 


GEORGE ROMNEY Ah 
ENGLISH, 1734-1802 } 
115 MISS MISCHIEF ) , 
Portrait study, head to the right, of a dark curly-haired child 


with pretty features looking at the spectator with large expres- 
sive eyes and lips parted ready to speak; drapery sketched in. 


Canvas. Height, 21 inches; width, 17 inches. 


ENGLISH, - 1711-1787 _ 


116 PORTRAIT OF A GENTLEMAN | 

A middle-aged squire standing in a park, his left arm resting _ 

on a flower urn, his right hand tucked under his waistcoat, 

holding a three-cornered black hat; blue costume and knee 

‘breeches with gilt trimmings, white oes facing the spec- 

tator, a pet dog squatting at the right looking up at his master. 

f Vista of a winding river with village at the left, and cottage 
“among tree groves at the right; blue and cloudy sky. 


: / 
ARTHUR DEVIS aN | 


Canvas. Signed and dated 1763 at lower centre. Height, 30 
inches; width, 25 inches. : 


[SEE ILLUSTRATION ] 


PORTRAIT OF A GENTLEMAN 
BY ARTHUR DEVIS 


[116] 


rit homens 


wir ie t 
y ‘ 


Aenean. te tae country ait Pease ofa a o 
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[SEE ILLUSTRATION] 


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LANDSCAPE WITH FIGURES 
BY THOMAS BARKER OF BATH 


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FRANCIS COTES, R:A. yo 
ENGLISH, 1726-1770 /| Le 


118 PORTRAIT OF MRS. PRITCHARD. 
Half-length, standing, shoulders at full front, head slight to 
the left; courtly presentment of a beautiful woman with lux- 
urious dare hair, a transparent lace fichu fastened at crown, — 
dropping gracefully to her right shoulder and over low cor- — 
sage of pale wine-colored gown with pink sleeves; warm neu- 
tral background. . 
(Formerly 1 in the collection of Mrs. Crawford.) 


Canvas. Inscribed at left, Mrs. Pritchard, Theatre Roare in 
Covent Garden, 1758. Height, 30 inches; width, 25 inches. 


[SEE ILLUSTRATION ] 


PORTRAIT OF MRS. PRITCHARD 
BY FRANCIS COTES, R.A. 


[118] 


a ae Ae. ~ 


SIR - PEPER GELY =a ( 1a 
ENGLISH, 1618-1680 | Bias - 
119 PORTRAIT OF MRS. DENMAN 
shiree- -quarter length, seated to the front, of a beaatetl 
woman, her hair dressed in braids at the back of the head, with 
ringlets falling over the forehead; large dreamy eyes. looking 
at the spectator, pearl necklace and eardrops, low-cut corsage 
of a pale wine color, with red cape thrown over back of chair; | 
her hands holding a basket of flowers in her lap; red curtain 
‘at right background. 
(From the Strawberry Hill Collection.) 


oe 


Canvas. Height, 36 inches, width, 29 inches. 


[SEE ILLUSTRATION | 


PORTRAIT OF MRS. DENMAN 
BY SIR PETER LELY 


[119] 


a 


BARTHOLOMEUS VAN DER HELST ye 
DUTCH, 1613-1670 


1200 PORTRAIT OF COUNT PIERRE FRANCOIS: DE 
LICHTERVELDE re 
Three-quarter length, standing at full front, eyes ape 
toward the spectator, a dignified presentment of a blond cour- ~ 
tier of the period, in lace collar over steel neckpiece, tan- 
colored doublet, arms encased in armor, his white-plumed 
headpiece and spurs on a red-covered table at the left. His 
left arm akimbo holding a glove, hilt of sword at side, the 
right hand resting on the table; dark neutral ees Fine 
characterization. 
A certificate of authenticity by J. Bueso OL, Brussels accom- 

panies this painting. 
(From the Castle of Ammerzoden. Reproduced i in the Chron- 
icles of the Castle of Ammerzoden by John Box, Cae pOpY 
is in Boston Library.) 


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Canvas. Signed in full and dated 1647 at the lower right, 
Height, 48 inches, width, 35 inches. | 


[SEE ILLUSTRATION] 


‘on eannant 


PORTRAIT OF COUNT PIERRE FRANCOIS DE LICHTERVELDE 
BY BARTHOLOMEUS VAN DER HELST 


[120] 


lau 


SIR JOSHUA REYNOLDS, P.R.A. 00° 
: ENGLISH, 1723- 1792. «De 


PORTRAIT OF THE COUNTESS OF STRAFFORD 
Half-length, shoulders to the front, head inclined to the left, 
her long dark brown hair partly fastened with pearl orna- 


ments on her head and descending in a long braid entwined 


with blue ribbon over her right shoulder, heavy pearl ear- 
drops and necklace, low-cut white satin bodice with pearl and 
jewel clasps, blue cape with wide ermine collar; dark uid 
background. 

(Lady Anne Campbell, daughter of the Duke of Aten was 
born in 1715 and died in 1785. She married i in 1741 William 
Wentworth, Earl of Strafford.) 

(From the Thomas McLean collection, juste in The 
Works of Reynolds; engraved by McArdell, Brookshaw, 4B 

Johnson, T. Johnson and Spicer.) 


Canvas. Height, 30 inches, width, 25 inches. 


[SEE ILLUSTRATION ] 


PORTRAIT OF THE COUNTESS OF STRAFFORD 
BY SIR JOSHUA REYNOLDS, P.R.A. 


[121] 


P22 


T23 


WILLIAM BELL a. 
ENGLISH, ABOUT 1740-1804 i 0 : 


PORTRAIT OF A MERCHANT | 
Handsome presentment, three-quarter length, head and body 
to the right, eyes directed to the spectator, of a successful mer- 
chant prince who points to a barge on a river through an open 
window at the right; attired in pale green Spencerian coat and 
breeches, satin waistcoat, ruffled jabot and white Bie against 
a green curtain background. 

(Bell won the gold medal offered by the Royal Academy in 
1771 for his painting “Venus soliciting Vulcan to forge armor 
for her son Aeneas.” He became painter to Lord Delaval and 
was offered an engagement as artist by Sir Joshua Reynolds, — 
but preferred to paint the worthies of Newcastle, where he — 
was born.) | 

(Recently the subject of an article in The Connoisseur.) 


Canvas. Signed and dated 1785 at lower right. Height, so 


inches, width, 40 inches. 


THOMAS PHILLIPS, R.A. * 7 
ENGLISH, 1770-1845 | Qo 

PORTRAIT GROUP , 
Full-length presentment of a lady and two daughters passing 
the spectator at a slow gait, with a little dog running and 
barking at the right. The stately figure of the mother is garbed 
in black velvet, fur-lined, with fancy flowered sleeves, a tur- 
quoise and gold belt at the waist, a huge hat trimmed with 
ostrich plumes framing the rich black hair and pretty oval 
face, the eyes directed toward the onlooker; her right hand 
clasps that of the youngest girl with ake curly hair, in 
cherry-red dress with gray sash, while her left hand is thrown 
over the shoulder of the eldest brown-haired girl in a yellow 
gown with blue sash. Park background, with a vase of flowers 
and red curtain at the right and a column at the left; blue 
sky with cloud effect. An admirable piece of painting. 


Canvas. Height, 107 inches; width, 71 inches. 
[SEE ILLUSTRATION ] 


GROUP 


PORTRAIT 
BY THOMAS PHILLIPS, R.A. 


[123] 


SIR GODFREY KNELLER | Boe 
_ ENGLISH, 1646-1723. _ 


124 PORTRAIT GROUP OF ABRAHAM STANYAN AND 
FAMILY " 
Mrs. Stanyan seated at the centre in red foe cut gown, Hee | : 
black hair dressed high on her head and dropping in heavy _ oe 
curls to her shoulders, holding a blond baby draped in white | . y 
linen; Mr, Stanyan standing at her left in long dark brown a . 
irae wig, with gray neckerchief and dark blue jacket with — 
gilt trimming, his right hand caressing a dog; a son at the left 
in reddish brown coat and gray neckpiece, a daughter at the 
right almost at profile in low-cut blue waist with lace inser- : 
tion, and four children in blue, orange and tan costumes in 
active poses facilitating a Ranennrens composition; grouped 
on the balcony of a mansion, park background with blue we 
silvery and warm cloud effects. 
(Abraham Stanyan, 1669-1732, barrister and statesman, was 
British envoy to Switzerland 1705-9, to Piedmont 1710, to the - we 
Emperor Charles VI and the Duke of Savoy 1712. He was 
M.P. for Buckingham 1715, Ambassador to Constantinople, 
-etc., and was referred to by Lord Chesterfield 1 in his letters to 
his son. ) 


Canvas. Height, 68 inches; width, 96 inches. 


[SEE ILLUSTRATION ] 


PORTRAIT GROUP OF ABRAHAM STANYAN AND FAMILY 
BY SIR GODFREY KNELLER 


[124] 


(= 
‘FRANCIS COTES, R.A. 229 is 
ENGLISH, 1726-1770 


t2e PORTRAIT OF HENRY, TENTH LORD TEYNHAM 


Three-quarter length presentment, head and shoulders slightly 
to the left, eyes directed toward the spectator, his right arm © 
resting on a cabinet and the left arm akimbo, in gray pow- — 


dered wig, pale crimson coat with ermine lining and lace 
insertion at sleeves, belt of lace and gilt buckle; neutral back- 


ground. 
(From the collection of the Rev. Mr. Holbrook.) 


Cun. Inscribed 29 April aet. 70 at upper left. Height, 44 


inches, width, 34 inches. 


FRANCIS COTES, R.A. n19 
ENGLISH, 1726-1770 


126° CATHERINE, FIRST, WIFE OF HENRY Sia 
LORD TEYNHAM . 

Three-quarter length, seated, head and shoulders slightly to 
the left in low-cut cream-colored gown with lace insertions 
and jewel clasps, blue cape lined with ermine, her right arm 
resting on a chair and her left hand holding a jewel case; back- 
ground with red drapery at upper left and column at right. 
(From the collection of the Rev. Mr. Holbrook.) 


Canvas. Height, 44 inches, width, 34 inches. 


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127 


128 


129 


PIERRE MIGNARD 
FRENCH, 1610-1695 


PORTRAIT OF A GENTLEMAN 

Half-length standing presentment of a courtly nobleman 
facing the spectator, in curled peruke down to his shoulders, 
white neckcloth, flowered yellow waistcoat and red Ses his 


hand describing a gesture; neutral background. 


Canvas. Oval. Height, 35 inches; width, 28% inches. 


ALLAN RAMSAY OO : 
ENGLISH, 1713-1784 % : 


PORTRAIT OF SIR JOSEPH BRANDT 

Three-quarter length, standing, head and shoulders slightly 
to the left, eyes directed toward the spectator, his right arm 
akimbo, the left hand extended as if he were making an ad- 
dress; rich brown velvet costume, long flowing wig, white 
stock and jabot, hilt of a sword showing; landscape back- 
ground. 


Canvas. Height, 50 inches; width, 40 inches. 


THOMAS HUDSON 4 
ENGLISH, 1701-1779 \ ( ) 


PORTRAIT GROUP 


Nearly full length figures, gentleman in easy pose attired in 


crimson costume standing at the right, in powdered wig, lady 


in low-cut white corsage and blue coat standing at the left, her 
hand clasping a child in white seated on a low stool. Park 
background with column and vase decorations, deep blue sky 
with fine cloud effects. 


Canvas. Height, 57 inches; width, 64 inches. 


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JAN A. VAN RAVESTEYN \Ou | 
DUTCH, 1572-1657 


130 PORTRAIT OF CAPTAIN JEANS VAN Be Si 
: (1606-1669): : 
Half-length, standing, lookin at the spectator, in armor with © 
broad lace collar and red sash across the breast, long blond 

wavy hair parted in the middle, flowing to the shoulders; neu- 

tral background. » 

Formerly attributed to Rembrandt by Meg Le Na ain and 
J. Bueso, of Brussels, whose certificate is attached to the 
painting. ie 
(From the Castle of Ammerzoden and the collection of Baron 
Gustave de Woelmont. ) 


Panel. Signed with monogram V. R. anno roan at lower aM | 
Height, 29 inches, width, 24 inches. 


[SEE ILLUSTRATION ] 


PORTRAIT OF CAPTAIN JEAN VAN ARKELL 
BY JAN A. VAN RAVESTEYN 


[130] 


1 “AS THE OLD SUNG SO PIPE THE YOUNG” 


wrx ef “a 


JACOB JORDAENS ey ae ; 
FLEMISH, 1593- 1678 WT — 


A family gathering about the dining table, on which are the 
remains of a repast. While the adult members are singing, the 
youngsters are playing various instruments, from a bagpipe to 
a whistle; general hilarity prevails, though a fat old individual 
in monk-like costume, and also the cat he holds and a dog, do 
not appear to relish the tune. A mirror against the ornate 
wall reflects the grandmother, who is singing from the sheet 
of music held by the grandfather, the two together leading 
the gaiety of the party. The mother at the left is attired in a 
low corsage, displaying an opulent bosom. Characteristic in- 
terior of the well-to-do middle class. 3 

A certificate of authenticity by J. Bueso of Brussels accom- 
panies this painting. 

(From the Castle of Ammerzoden and the collection of Baron 
Van der Gracht.) 


Canvas. Signed and dated 1661 at lower ane Height, 66 
inches, width, 93 inches. 


[SEE ILLUSTRATION] 


“AS THE OLD SUNG SO PIPE THE YOUNG” 
BY JACOB JORDAENS 


[131] 


22 a SESE ee en = ————— 


SIR ANTHONY VAN DYCK | is 
FLEMISH, 1599- Oa Pe ope f. 
132 SAMSON AN D DELILAH “ 
Samson shorn of his locks is being eure by the tie 
sturdy retainers in armor of Delilah who, attired in light scar- 
let and white draperies, looks at him in derision as she reclines — 
at the left attended by an old woman; a dog is at her side, as" 
also the shears and locks of hair; sky effect atthe right,  - 
Certificates of authenticity by Messrs, Le N ain and Bueso of 
Brussels accompany this painting. | 
(This picture was the property of the Abbey of Premontres a 
Floreffe near Namur, Belgium, and at the dissolution of this 
retreat it fell into the hands of M. Decocq, and was acquired 
by the owner from the Belgian Minister of War.) © 


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Canvas. Height, 60 inches, width, 100 inches. 


[SEE ILLUSTRATION ] 


SAMSON AND DELILAH 
BY SIR ANTHONY VAN DYCK 


[132] 


133 CHRIST ON THE CROSS 


SIR ANTHONY VAN DYCK © Q° > 
FLEMISH, I 599° 1641 oo 


The Saviour is depicted with his eyes open just before hel ut- | 
tered the words, “Eloi, Eloi, Lama Sabacthani” ~ ANG expired. i 
The hills of Golgotha are represented i in the landscape, which Rl 
is low in tone, thus giving proper relief to the figure. 
This painting held the place of honor at. the Exhibiiog of 
Religious Art in Brussels, 1910. ; 
A certificate of authenticity from Messrs. Biea and Le Nain, ss 
of Brussels, accompanies the painting. ia 
(From the Castle of Ammerzoden. ) 


Canvas. Height, 84 inches, width, 42 inches. 


[SEE ILLUSTRATION | 


CHRIST ON THE CROSS 
NTHONY VAN DYCK 


[133] 


ATTRIBUTED TO NICHOLAS LANCRET ) a 
FRENCH, 1690-1743 n0 i. 
134 MLLE. SALLE, DANCER -_ 
In bejewelled allay: satin dress with appliqué fonnee roses 
in her hair and red pumps, arms extended, executing a pirou- 
ette while two female dancers are at the Hen and a couple of | 
musicians at the left attired in powdered wigs and knee — 


breeches; park landscape, with portico of a mansion at the left. 
(From the Yeovil Manor House.) 


Canvas. Hetght, 55 inches; width, 50 inches. 


CORNELIUS SCHUT \) ( 
FLEMISH, 1597-1656 | \\ 


135 DESCENT FROM THE CROSS 
Christ seated is supported by Mary on the right, in blue garf- 
ments, and on the left by Joseph of Arimathza in a red tunic. 
Cliff at the back and landscape with winding river at the left; 
gray sky with warm tints near the horizon. 
A certificate of authenticity by Mr. J. Bueso of Brussels ac- 
companies this painting. 
(From the collection of Baron Gustave de Woelmont.) 


Canvas. Height, 36 inches; width, 48 inches. 


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